In Ms. Taback’s
print work, she uses more than one process which allows a powerful veiling
effect to occur. The first print is created on BFK Rives, 140 lb
print making paper soaked in water for 3-4 hours. The second print, an
overlay to the first is on Thai Unryu, a dampened, fine Asian fibered paper.
Ms. Taback conveys a sense of peacefulness and deception in these works,
in the hopes that the viewer will experience deep contemplation.
In Ms. Taback’s paintings, she is treating the canvas similar to a printing
plate. She uses deeply incised crevices and scratches seen in the surfaces.
Her technique is a contemporary approach to the technique applied by master painters
in the 15th Century. She retains the imprimatur (the psychology of the dark background)
with under-painting and glazing. The images emerge from the dark to full color
and light. |
She usually confines
her art making to a series or a contained body of work, enabling her to
explore different aspects and possibilities of shapes and colors, gradually
changing the composition again and again, remaining true to her subject. |
|
Ms. Taback’s recent work reflects an interest in Islamic and Persian
textiles and patterns, Chinese Scholar’s Rocks, Global Women’s Issues
and Outsider Art - among others. She is also influenced by extensive
travels throughout the world - specifically to view other cultures and do research
for her art.
Melissa Wolf, the Director of the Women's Studio Center |